{"id":496,"date":"2017-10-28T15:39:58","date_gmt":"2017-10-28T13:39:58","guid":{"rendered":"http:\/\/jennyfeal.fr\/?post_type=project&p=496"},"modified":"2021-04-07T18:04:56","modified_gmt":"2021-04-07T16:04:56","slug":"bibliotheques-des-grands-parents","status":"publish","type":"project","link":"https:\/\/jennyfeal.fr\/index.php\/project\/bibliotheques-des-grands-parents\/","title":{"rendered":"Biblioth\u00e8ques des grands-parents"},"content":{"rendered":"

[et_pb_section admin_label=”section”][et_pb_row admin_label=”row”][et_pb_column type=”4_4″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n

Biblioth\u00e8ques des grands-parents <\/em><\/p>\n

c\u00e9ramique crue, m\u00e9tal, bois, papier<\/p>\n

dimensions variables<\/p>\n

Centre d\u2019art contemporain Le Creux de l\u2019enfer, Thiers, France<\/p>\n

2016<\/p>\n

 <\/p>\n

Deux biblioth\u00e8ques se font face. L’une d’apparence rustique, en fer \u00e0 b\u00e9ton, m\u00e9tal et bois. L’autre semble de fabrication industrielle, d’un design plus standardis\u00e9. Dans chacune, des livres s’alignent\u00a0: on voit les dos des ouvrages, anonymes dans leur classification. Seul le papier d\u00e9chir\u00e9 au sol, dans l’espace entre les deux meubles, perturbe la qui\u00e9tude domestique. Rep\u00e9rer ce premier \u00e9l\u00e9ment discordant am\u00e8ne \u00e0 s’interroger sur d’autres \u00e9l\u00e9ments discordants. Pourquoi ces deux biblioth\u00e8ques sont-elles dispos\u00e9es de la sorte, semblant se refl\u00e9ter l’une l’autre plut\u00f4t qu’induire \u00e0 la consultation des ouvrages\u00a0? D’o\u00f9 provient l’impression que les livres ne sont pas r\u00e9els, d\u00e9gageant une mat\u00e9rialit\u00e9 plus \u00e9paisse et compacte que d’ordinaire\u00a0? En r\u00e9alit\u00e9, \u00ab\u00a0Biblioteca de abuelos (Biblioth\u00e8que des grands-parents)\u00a0\u00bb est une installation fabriqu\u00e9e de A \u00e0 Z par Jenny Feal. Les meubles mais aussi les livres, des livres en c\u00e9ramique crue et non en papier, reproduisent jusque dans les moindres d\u00e9tails deux biblioth\u00e8ques que l’artiste a connues, et ch\u00e9ries\u00a0: celles de ses deux grands-p\u00e8re. D’origine cubaine, l’artiste raconte alors en creux l’histoire de sa famille, politiquement engag\u00e9e dans la r\u00e9volution des deux c\u00f4t\u00e9s, mais dont les chemins et les id\u00e9ologies vinrent \u00e0 bifurquer. Entre l’une et l’autre biblioth\u00e8que, la premi\u00e8re \u00e9prouv\u00e9e dans le r\u00e9el, la seconde connue par des \u00e9changes \u00e9pistolaires, certaines \u00e9ditions se r\u00e9pondent en \u00e9cho. En s’engageant dans le processus incarn\u00e9 de les recr\u00e9er pi\u00e8ce par pi\u00e8ce, mais aussi de d\u00e9chirer certains ouvrages, l’artiste fait du geste de la cr\u00e9ation artistique une mani\u00e8re d’inscrire la transmission de l’histoire, celle d’un pays et d’une famille, au plus pr\u00e8s du corps \u2013 rappelant par l\u00e0 m\u00eame combien il peut \u00eatre vain de confier la m\u00e9moire au papier, toujours menac\u00e9 d’an\u00e9antissement.<\/p>\n

Ingrid Luquet-Gad<\/p>\n

[\/et_pb_text][et_pb_image admin_label=”Image” src=”https:\/\/jennyfeal.fr\/wp-content\/uploads\/2017\/09\/f27365496.jpg” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” animation=”left” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [\/et_pb_image][et_pb_image admin_label=”Image” src=”https:\/\/jennyfeal.fr\/wp-content\/uploads\/2017\/09\/f27112376.jpg” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” animation=”left” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [\/et_pb_image][et_pb_image admin_label=”Image” src=”https:\/\/jennyfeal.fr\/wp-content\/uploads\/2017\/09\/f27196536.jpg” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” animation=”left” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [\/et_pb_image][et_pb_image admin_label=”Image” src=”https:\/\/jennyfeal.fr\/wp-content\/uploads\/2017\/09\/f27261880.jpg” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” animation=”left” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [\/et_pb_image][et_pb_image admin_label=”Image” src=”https:\/\/jennyfeal.fr\/wp-content\/uploads\/2017\/09\/f27352120.jpg” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” animation=”left” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [\/et_pb_image][et_pb_image admin_label=”Image” src=”https:\/\/jennyfeal.fr\/wp-content\/uploads\/2017\/09\/f27230456.jpg” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” animation=”left” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [\/et_pb_image][et_pb_image admin_label=”Image” src=”https:\/\/jennyfeal.fr\/wp-content\/uploads\/2017\/09\/f27771960.jpg” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” animation=”left” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [\/et_pb_image][et_pb_image admin_label=”Image” src=”https:\/\/jennyfeal.fr\/wp-content\/uploads\/2017\/09\/f28074744.jpg” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” animation=”left” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [\/et_pb_image][et_pb_image admin_label=”Image” src=”https:\/\/jennyfeal.fr\/wp-content\/uploads\/2017\/09\/f27334712.jpg” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” animation=”left” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [\/et_pb_image][et_pb_image admin_label=”Image” src=”https:\/\/jennyfeal.fr\/wp-content\/uploads\/2017\/09\/f28175608.jpg” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” animation=”left” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [\/et_pb_image][et_pb_image admin_label=”Image” src=”https:\/\/jennyfeal.fr\/wp-content\/uploads\/2017\/10\/f27941176.jpg” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” animation=”left” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [\/et_pb_image][et_pb_image admin_label=”Image” src=”https:\/\/jennyfeal.fr\/wp-content\/uploads\/2017\/10\/f27822136.jpg” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” animation=”left” sticky=”off” align=”left” force_fullwidth=”off” always_center_on_mobile=”on” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Biblioth\u00e8ques des grands-parents c\u00e9ramique crue, m\u00e9tal, bois, papier dimensions variables Centre d\u2019art contemporain Le Creux de l\u2019enfer, Thiers, France 2016   Deux biblioth\u00e8ques se font face. L’une d’apparence rustique, en fer \u00e0 b\u00e9ton, m\u00e9tal et bois. L’autre semble de fabrication industrielle, d’un design plus standardis\u00e9. Dans chacune, des livres s’alignent\u00a0: on voit les dos des […]<\/p>\n","protected":false},"author":3,"featured_media":270,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

Biblioth\u00e8ques des grands-parents <\/em><\/span><\/p>

c\u00e9ramique crue, m\u00e9tal, bois, papier <\/span><\/p>

dimensions variables<\/span><\/p>

2016<\/span><\/p>

\u00a0<\/p>

Deux biblioth\u00e8ques qui refl\u00e8tent deux syst\u00e8mes de pens\u00e9e oppos\u00e9s. L\u2019une socialiste\u00a0 ou communiste et l\u2019autre social-d\u00e9mocrate et chr\u00e9tienne. Elles appartiennent \u00e0 mes deux grands-p\u00e8res qui ont v\u00e9cu \u00e0 Cuba pendant la r\u00e9volution cubaine de 1959. L\u2019un s\u2019est battu pour sortir de la mis\u00e8re rurale avec l\u2019espoir d\u2019une meilleure r\u00e9partition des richesses et des droits. L\u2019autre, psychiatre cultiv\u00e9, po\u00e8te et compositeur, a soutenu fi- nanci\u00e8rement les id\u00e9aux r\u00e9volutionnaires \u00e0 leurs d\u00e9buts avant de s\u2019en \u00e9carter lors du virage communiste d\u00e9cid\u00e9 par les dirigeants. Il a ensuite \u00e9t\u00e9 incarc\u00e9r\u00e9 pendant 17 ans en tant que prisonnier politique avant de s\u2019exiler vers les \u00c9tats-Unis.<\/span><\/p>

Cette installation reproduit l\u2019int\u00e9gralit\u00e9 de la biblioth\u00e8que socialiste de mon grand-p\u00e8re rest\u00e9 \u00e0 Cuba, celle que j\u2019ai connue en grandissant, confront\u00e9e \u00e0 la biblioth\u00e8que de mon grand-p\u00e8re d\u00e9c\u00e9d\u00e9 \u00e0 Miami, construite d\u2019apr\u00e8s les r\u00e9f\u00e9rences et les \u00e9changes que j\u2019ai pu avoir avec lui.<\/span><\/p>

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