{"id":587,"date":"2017-10-28T17:36:43","date_gmt":"2017-10-28T15:36:43","guid":{"rendered":"http:\/\/jennyfeal.fr\/?page_id=587"},"modified":"2023-09-25T16:09:55","modified_gmt":"2023-09-25T14:09:55","slug":"biography","status":"publish","type":"page","link":"https:\/\/jennyfeal.fr\/index.php\/en\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"

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Jenny Feal<\/b><\/span>
\n1991, Havana, Cuba<\/span>
\nLives and works in Paris, Lyon, France and Havana, Cuba <\/span>
\n fealjenny@yahoo.es<\/span><\/p>\n

EDUCATION<\/b><\/strong><\/span><\/p>\n

2021-<\/strong><\/span>
\nPsychology License, Uned, Madrid, Spain<\/span><\/p>\n

2013-2016<\/strong><\/span>
\nMaster Degree in Plastic expression, \u00c9cole Nationale Sup\u00e9rieure des Beaux Arts de Lyon Jury Honors, Lyon, France<\/span><\/p>\n

2012-2013<\/strong><\/span>
\nBachelor of arts, \u00c9cole Sup\u00e9rieure d\u2019Art et de Design Marseille- M\u00e9diterran\u00e9e Jury Honors, Marseilles, France<\/span><\/p>\n

2010-2013<\/strong><\/span>
\nDiploma of 4ta Pragm\u00e1tica Pedag\u00f3gica, Havana, Cuba<\/span><\/p>\n

2009-2012<\/strong><\/span>
\nBachelor of arts, Instituto Superior de Arte, Havana, Cuba<\/span><\/p>\n

2005-2009<\/strong><\/span>
\n Diploma of Academ\u00eda Nacional de Bellas Artes Jury Honors, Havana, Cuba<\/span><\/p>\n

SOLO EXHIBITIONS<\/b><\/strong><\/span><\/p>\n

2023<\/strong><\/span><\/p>\n

Tengo miedo de un d<\/em><\/span>\u00ed<\/span><\/em>a olvidarlo todo<\/em><\/span>,<\/span> <\/em><\/span>by Lastcrit <\/span><\/span>Gallery<\/span>, Barcelona, Spain<\/span><\/p>\n

2022<\/strong><\/span>
\nAlop\u00e1trico<\/em>, Dohyang Lee Gallery, Paris, France<\/span><\/p>\n

2021<\/strong><\/span>
\n Termites<\/em>, L\u2019Art et la Mati\u00e8re en Dr\u00f4me des Collines Festival 2020, Grand-Serre<\/span>, France<\/span>
\n Rue des enfants<\/i>, project supported by the City of Lyon and the MAC Lyon, students of the Rebatel school, Rue de l’harmonie, Lyon, France<\/span><\/p>\n

2020
\n<\/strong>Gravir la montagne<\/em>, Angelinna Gallery Rivoli Building Espace, Brussels, Belgium
\n<\/strong><\/span><\/p>\n

2019<\/strong><\/span>
\n Mar oculto<\/em>, Dohyang Lee Gallery, Paris, France<\/span><\/p>\n

2018<\/strong><\/span>
\n Retour d\u2019une autre Amalia<\/em>, ISBA, Besan\u00e7on, France<\/span>
\n Devant l’eau dormante, le r\u00eaveur adh\u00e8re au repos du monde<\/i>, Maison des expositions, Ateliers M\u00e9dicis, Ternand, France<\/span><\/p>\n

2017<\/strong><\/span>
\n Mamey<\/i>, La Spirale Gallery, Toboggan in R\u00e9sonance of the 14th<\/sup> Lyon Biennial, D\u00e9cines, France<\/span><\/p>\n

GROUP EXHIBITIONS<\/b><\/strong><\/span><\/p>\n

<\/b><\/strong><\/span><\/p>\n

2023<\/strong><\/span><\/p>\n

Stylish Politics<\/em>, Pan American Art Projets, Miami<\/span>, <\/span>United States<\/span><\/p>\n

Drawing from Nature<\/em>, Pinecrest Gardens, Miami, <\/span>United States<\/span><\/p>\n

Encore & En-Corps<\/span><\/em>, Forum Exposition Bonlieu, Annecy, France <\/span><\/p>\n

Elementos<\/em>, Fondation CHRISTIAN R<\/span>\u00c9AL & Images passages, Annecy, France<\/span><\/p>\n

Libros de artistas<\/em><\/span>, by Lastcrit <\/span>Gallery<\/span>, Barcelona, Spain <\/span><\/p>\n

Casa Eminente<\/em>,<\/span> Casa Eminente, Paris, France<\/span><\/p>\n

2022<\/strong><\/span> <\/p>\n

Toxicit<\/span><\/i><\/em>y<\/span>, <\/span>7th Biennale of Lubumbashi, Lubumbashi, Democratic Republic of Congo<\/font><\/p>\n

\u00e9co(…..) \u00e9co(…..) \u00e9co (…..)<\/em> volet I, Dohyang Lee Gallery<\/span>, Paris, France<\/span> <\/p>\n

Cyclo<\/em><\/i>, Sala Pirandello, Madrid, Spain<\/span><\/p>\n

La Maison<\/span><\/i>, Rester.\u00c9tranger & La maison de l\u2019ours, Saint Denis, France<\/span><\/span><\/p>\n

2021<\/span><\/strong><\/span>
\nTogether<\/em><\/span><\/em>, Seven seas, Miami art week, Miami, United States<\/span><\/span><\/p>\n

2020<\/span><\/strong><\/span>
\n Place to be<\/em>, Fondation d\u2019entreprise Martell, Cognac, France  madeleine<\/i>, Dohyang Lee Gallery, Paris, France
\nOr, Encens & Myrrhe<\/i>, Dohyang Lee Gallery, Paris, France<\/span>
\n Ellipses,<\/span><\/em> Histoires de passages<\/em>, Arteppes \u2013 Centre d\u2019art contemporain, Imagespassages, Annecy, France<\/span>
\n LA POSSIBILITE D\u2019UNE ILE<\/em>, Le haras, Imagespassages, Annecy, France<\/span>
\n Hyper<\/em>, 57 Gallery, Lyon, France<\/span>
\n Parody of Life<\/em>, @studio.exhibition.studio, Ecole d\u2019Art et Design de Saint-Etienne, France<\/span><\/p>\n

2019<\/strong><\/span>
\n L\u00e0 o\u00f9 les eaux se melent<\/em>, 15th <\/sup>Lyon Biennial, Contemporary Art Museum, Lyon, France  <\/span>
\n Movimiento de <\/em>(por<\/em>) s\u00ed mismo<\/em>, Teatro Mella, Exsitu, 13th<\/sup> Havana Biennial, Havana, Cuba<\/span>
\n Back from LH<\/em>, Arteppes \u2013 Centre d\u2019art contemporain, Imagespassages, Annecy, France<\/span>
\n DE.PAYSER<\/em>, imagespassages invitation, Contemporary Art Museum, Lyon, France<\/span>
\n La Pr\u00f3xima Resistencia<\/em>, 8e Festival International de Video Art de Camaguey (FIVAC), Camag\u00fcey, Cuba<\/span>
\n R\u00edos intermitentes<\/em>, 13th<\/sup> Havana Biennial (an Imagespassage & Mar\u00eda Magdalena Campos-Pons invitation), Matanzas, Cuba<\/span>
\n Agua de beber<\/em>, Persona Curada, Espace LeXi, Paris, France<\/span><\/p>\n

2018<\/strong><\/span>
\n TU NA WINA<\/em>, Hangar Gallery, Lubumbashi, Democratic Republic of the Congo<\/span><\/span>
\n REMNANTS<\/em>, Green Art Gallery, Dubai<\/span>, United Arab Emirates<\/span>
\n Rendez-vous<\/em>, Centro de arte contempor\u00e1neo Wifredo Lam (during the Lyon Biennial 2017), Havana, Cuba <\/span>
\n Le temps des pommes<\/em>, \u00c9T\u00c9 78, Brussels, Belgium <\/span>
\n Par tout mais pas pour tr\u00e8s long temps, <\/em><\/span>Convoi exceptionnel, ELAC (Espace Lyonnais d\u2019art contemporain), Lyon, France <\/span><\/span>
\n DARK MATTERS,<\/em> C\u00e9line Moine Gallery, Lyon, France <\/span>
\n Le poids des mots<\/em>, Extra & In medias res, C\u00e9line Moine Gallery, Lyon, France<\/span><\/span>
\n Camera Camera Nice art fair<\/em>, Nice, France<\/span><\/span>
\n Sur la page, abandonn\u00e9s \u2013 exposition d\u2019artistes \u00e9crivains<\/em>, AU LIEU Gallery, \u00c9ditions Extensibles, Paris, France<\/span><\/span><\/p>\n

2017<\/strong><\/span>
\n On \/ Off<\/i>, Maison Europ\u00e9enne de la Photographie & Cit\u00e9 Internationale des Arts, Paris, France<\/span>
\n L\u2019inconfort moderne<\/i>, La FabriC \u2013 Espace d\u2019art contemporain, Salomon Fondation in R\u00e9sonance of the 14th<\/sup> Lyon Biennial, Annecy, France<\/span>
\n On \/ Off Muestra de Video<\/i>, Casa Victor Hugo, Havana, Cuba <\/span>
\n Double trouble<\/em>, Maison du livre, de l\u2019image et du son, Villeurbanne, France<\/span>
\nLes Enfants de Sabbat 18<\/i>, Centre d\u2019art contemporain Le Creux de l\u2019enfer, Thiers, France<\/span>
\n \u00c9l\u00e9ments<\/i>, M\u00e9diath\u00e8que Les Mots Passants Gallery, Saint Vit, France<\/span>
\n Back to the trees N\u00b0 6<\/i>, Bord de Loue, Chamblay, France<\/span><\/p>\n

2016<\/strong><\/span>
\n Renaud Foundation Price<\/i>, ENSBA, Lyon, France<\/span>
\n Paris Price<\/i>, ENSBA, Lyon, France<\/span><\/p>\n

2015<\/strong><\/span>
\n L’Analfabeto<\/i>, Villa M\u00e9dici’s Cistern Gallery, Acad\u00e9mie de France \u00e0 Rome, Rome, Italy<\/span>
\n Lejos del teclado, <\/i>project \u00bfCu\u00e1ntos Mundos?, <\/i>Casa Mar\u00eda & La F\u00e1brica de Arte Cubano, 12th<\/sup> Havana Biennial, Cuba<\/span><\/p>\n

2014<\/strong><\/span>
\n Night of the tumblr on fire<\/i>, Niveau 1- Le point Perch\u00e9, Palais de Tokyo, Paris, France<\/span>
\n Le printemps des Laboratoires d’Aubervilliers<\/i>, Laboratoires d’Aubervilliers, Aubervilliers, France<\/span>
\n Les Appart\u00e9s<\/i>, Domi Nostrae Gallery, Lyon, France<\/span><\/p>\n

2013<\/strong><\/span>
\n 5<\/i>th<\/i><\/sup> Festival des Arts \u00c9ph\u00e9m\u00e8res<\/i>, Maison Blanche, Marseilles, France<\/span>
\n Evident r\u00e9sidents 2<\/i>, MAD Gallery, Marseille, France<\/span><\/p>\n

2012<\/strong><\/span>
\n 4ta Pragm\u00e1tica Pedag\u00f3gica<\/i>, Tbilisi Triennial, 4ta Pragm\u00e1tica Pedag\u00f3gica, Tbilisi, Georgie<\/span>
\n Ciudad Generosa<\/i>, 11th<\/sup> Havana Biennial, 4ta Pragm\u00e1tica Pedag\u00f3gica, Havana, Cuba<\/span><\/p>\n

2011<\/strong><\/span>
\n TRUST<\/i>, Factor\u00eda Habana Gallery, 4ta Pragm\u00e1tica Pedag\u00f3gica, Havana, Cuba<\/span>
\n Muestra 4ta Pragm\u00e1tica Pedag\u00f3gica<\/i>, Havana Club Fundation Gallery, 4ta Pragm\u00e1tica Pedag\u00f3gica, Havana, Cuba<\/span>
\n Banca Rota<\/i>, Royal Bank of Canada, 4ta Pragm\u00e1tica Pedag\u00f3gica, Havana, Cuba<\/span>
\n Andr\u00f3gino<\/i>, Factor\u00eda Habana Gallery, 4ta Pragm\u00e1tica Pedag\u00f3gica, Havana, Cuba<\/span>
\nRecuento<\/i>, Museo de la Orfebrer\u00eda, Havana, Cuba
\n<\/span><\/p>\n

2010<\/strong><\/span>
\n 10<\/i>th<\/i><\/sup> Bienal de Cer\u00e1mica<\/i>, Salon Blanc, Monasterio de San Francisco de As\u00eds, Havana, Cuba<\/span>
\n A r\u00edo revuelto<\/i>, C\u00fapulas, Instituto Superior de Arte, Havana, Cuba<\/span>
\nClasspool<\/i>, Casa privada, 4ta Pragm\u00e1tica Pedag\u00f3gica, Havana, Cuba
\n<\/span><\/p>\n

2009<\/strong><\/span>
\n La locura de Hefesto<\/i>, Museo de la Orfebrer\u00eda, Havana, Cuba<\/span><\/p>\n

2008<\/strong><\/span>
\n Tambi\u00e9n<\/i>, private house<\/span><\/span>, Havana, Cuba<\/span>
\n Con excusa de\u2026, <\/i>Museo de la Orfebrer\u00eda, Havana, Cuba<\/span><\/p>\n

AWARDS<\/strong><\/span><\/p>\n

2021<\/strong><\/span>
\nFinalist of the SAM Prize for Contemporary Art, Paris, France <\/span><\/p>\n

2016<\/strong><\/span>
\nFundation Renaud Prize, Lyon, France<\/span>
\nFinalist of the Paris Prize, Lyon, France <\/span><\/p>\n

2010<\/strong><\/span>
\n 10th Ceramics Biennial, Havana, Cuba<\/span><\/p>\n

RESIDENCIES<\/strong><\/span><\/p>\n

2023<\/strong><\/span><\/p>\n

Fountainheadarts, Miami, United States<\/span><\/span><\/p>\n

2021
\n<\/strong><\/span>Villa Glovettes, Villard-De-Lans, Rh\u00f4ne-Alpes, France<\/span>
\nLes Ateliers du Grand Large \/ ADERA, Lyon Part Dieu, France<\/span><\/span><\/p>\n

2020
\n<\/strong><\/span>Fondation d’entreprise Martell, Cognac, France<\/span><\/span><\/p>\n

Les Ateliers du Grand Large \/ ADERA, D\u00e9cines, France<\/span>
\n Summer Camps, cONncErn , Cosne d\u2019Allier, France<\/span><\/p>\n

2019
\n<\/strong>Les Ateliers du Grand Large \/ ADERA, D\u00e9cines, France<\/span><\/p>\n

2018<\/strong><\/span>
\nARTICHOK, Projet Calle C, PICHA Art Center, Lubumbashi,  Democratic Republic of the Congo <\/span>
\nCr\u00e9ation en cours, Ateliers M\u00e9dicis, Ternand, France<\/span>
\n Les Ateliers du Grand Large \/ ADERA, D\u00e9cines, France<\/span><\/p>\n

2017<\/strong><\/span>
\nSabbaTThiers, Usine du May, Thiers, France<\/span>
\n ISBA, Besan\u00e7on, France<\/span>
\n Les Ateliers du Grand Large \/ ADERA, D\u00e9cines, France<\/span><\/p>\n

2016<\/strong><\/span>
\n Les Ateliers du Grand Large \/ ADERA, D\u00e9cines, France<\/span><\/p>\n

GRANT FOR CREATION
\n<\/span><\/strong><\/p>\n

2019<\/span><\/strong>
\nS<\/span>upport to CNAP galleries ” Mar oculto”, <\/span>Dohyang Lee Gallery, Paris, France<\/span><\/p>\n

2018<\/span><\/strong>
\n<\/span><\/strong><\/span><\/strong><\/span><\/strong>Ateliers M\u00e9dicis, Ministry of Culture and in cooperation with the Ministry of National Education, Youth and Sports, France
\n<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

2015<\/span><\/strong>
\n<\/span><\/strong>R\u00e9gion Rh\u00f4ne-Alpes, <\/span><\/span>L’Analfabeto<\/i>, Villa M\u00e9dici’s Cistern Gallery, Acad\u00e9mie de France \u00e0 Rome, Rome, Italy<\/span><\/span><\/span><\/span><\/span><\/p>\n

2015<\/span><\/strong>
\n<\/span><\/strong>Program Entr’Ecoles of the French Institute and the Ministry of Culture and Communication, France <\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

DONATED WORKSHOPS<\/span><\/strong><\/p>\n

2021<\/span><\/strong>
\nRue des enfants, invitation by the City of Lyon and the Museum of Contemporary Art of Lyon. Workshops designed for CM2 students of the Rebatel school, Rue de l’Harmonie, Lyon, France<\/span><\/p>\n

2019<\/span><\/strong>
\nElles, invitation by the Museum of Contemporary Art of Lyon. Workshops designed for the women of the association PasserElles buissonni\u00e8res. The workshops took place at the Mac de Lyon and at L’URDLA – center international estampe & livre in Villeurbanne, France<\/span><\/p>\n

2018<\/span><\/strong>
\nIn front of the still water, the dreamer adheres to the rest of the world, invitation from Ateliers Medicis, the French Ministry of Culture and the French Ministry of Education. The workshops took place at Ternand Primary School, France<\/span><\/p>\n

CONFERENCE \/ PODCAST
\n<\/strong><\/span><\/p>\n

2021<\/span><\/strong>
\nMeeting \/ Conference on the “Villa Glovettes” residence with Agathe Chion, H\u00e9l\u00e8ne Fourni\u00e9, C\u00e9lia Vaudaine and Adrianna Wallis, Jenny Feal, M\u00e9ryl Fortunat Rossi, Thomas L\u00e9vy-Lasne, Xavier Machault, Mathilde Segonds and Fr\u00e9d\u00e9rique Vivet, Museum of Valence Art and Archeology, France.<\/span>
\nL\u00ednea de fuego, invited by Elena V. Molina and Gerardo Mu\u00f1oz, Columna Cultural, Barcelona, Pelsilvania, Lyon<\/span><\/p>\n

2020<\/span><\/strong>
\nMyday I, How can art associated with individual and collective performance be a generator of innovation, vitality and renewal for all? Manifesta Lyon, Lyon 1st France<\/span>
\nMyday II, Singinginyourbrain & Artforme, Lyon 4th, France<\/span>
\nDessin Dessein, Podcast to discuss design, with Laure Choquer, July<\/span><\/p>\n

2019<\/strong><\/span>
\nArt and culture, drivers of business performance? <\/span><\/span>, Anciennes Usines Fagor-Brandt, Grand Lyon La m\u00e9tropole, France<\/span> <\/span>
\nHow do we represent hypermodernity? ,<\/span><\/span> Manufacture des Tabacs, Lyon 3 University<\/span><\/span>, France<\/span>   <\/span>
\nAfrican art in Venice Forum, http:\/\/www.aavforum.com\/speakers\/<\/a>, Hotel Monaco & Grand Canal Venice, Italy<\/span>     <\/span>
\nMeeting with Karim Kal & Jenny Feal, Michel Descours Bookstore, Lyon, France<\/span><\/span><\/span>  <\/span>
\nJenny Feal & Matthieu Leli\u00e8vre Talk, Tokyo Art Club, Palais de Tokyo, Paris, France<\/span><\/span><\/span>
\n<\/span><\/p>\n

CATALOGS \/ PUBLICATIONS<\/b><\/strong><\/span><\/p>\n

2022<\/strong>
\nRendezvous<\/em>, artist’s book by El\u00e9onore Pano-Zavaroni, Epistolary exchange, \u00c9ditions AAA, France<\/p>\n

2021<\/strong>
\n<\/span><\/strong><\/span>Carnet Place to be Catalog, Storytelling Collection, France  <\/span><\/span><\/span>
\n<\/span><\/span>Hypermedia magazine, Localizacion de Jenny Feal en la di\u00e1spora cubana, Havana, Cuba<\/span><\/span><\/span>
\n<\/span>La boite noire, N\u00b0 II. Au ras des com\u00e8tes, cOncErn Infrasestructure artistique, 03430 Cosne-d’Allier, France <\/span><\/p>\n

2020<\/strong><\/span>
\nExhibition catalogue Hyper, Effets de Temps, Universit\u00e9 Jean Moulin Lyon III<\/span><\/p>\n

2019<\/strong><\/span>
\n La experiencia de DUPP, editorial ArteCubano, Selvi Artes Gr\u00e1ficas print<\/span><\/span><\/span>
\n Cr\u00e9ation en cours, Ateliers M\u00e9dicis, 2th \u00c9dition 2017-2018<\/span>
\nExhibition catalogue 15th <\/sup>Lyon Biennial <\/span>
\nExhibition catalogue 13th<\/sup> Havana Biennial Colateral<\/span>
\nExhibition catalogue R\u00edos intermitentes, 13th<\/sup> Havana Biennial, Imagespassage<\/span><\/p>\n

2018
\n<\/strong>Exhibition catalogue Rendez-vous La Havane, Edition Rendez-vous<\/span>
\nExhibition catalogue Arts \u00c9ph\u00e9m\u00e8res, Association Arts \u00c9ph\u00e9m\u00e8res<\/span>
\nExhibition catalogue Par tout mais pas pour tr\u00e8s long temps, N\u00b01, Edition Convoi exceptionnel<\/span><\/p>\n

2017<\/strong><\/span>
\nExhibition catalogue Inconfort moderne, Imagespassages arts visuels et num\u00e9riques contemporains & Fondation Salomon art contemporain<\/span>
\nExhibition catalogue du Festival On \/ Off, Maison Europ\u00e9enne de la Photographie<\/span>
\nExhibition catalogue Les Enfants du sabbat N\u00b018, Centre d’art contemporain Le Creux de l’enfer<\/span>
\nSur la page, abandonn\u00e9s vol.2, Les \u00c9ditions Extensibles<\/span><\/p>\n

2015<\/strong><\/span>
\nInitiales, N\u00b0 07, Pier Paolo Pasolini<\/span><\/p>\n

2012<\/strong><\/span>
\nBeaux Arts magazine, N\u00b0337<\/span>
\nCiudad Generosa journal, N\u00b0 1, Edici\u00f3n 4ta Pragm\u00e1tica Pedag\u00f3gica<\/span><\/p>\n

2011<\/strong><\/span>
\nExhibition catalogue Trust, Edici\u00f3n 4ta Pragm\u00e1tica Pedag\u00f3gica<\/span><\/p>\n

2010<\/strong><\/span>
\nArtecubano review , N\u00b0 2, 10th<\/sup> Bienal de Cer\u00e1mica \/ 10th<\/sup> Ceramics Biennial<\/span><\/p>\n

PUBLIC COLLECTION<\/span><\/strong><\/strong><\/span>
\nCaribbean Collection – Amazonia for Micro-folies, Digital Museum, Guadaloupe, France<\/span><\/span><\/p>\n

 <\/span><\/strong><\/p>\n

 <\/span><\/p>\n

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Jenny Feal 1991, Havana, Cuba Lives and works in Paris, Lyon, France and Havana, Cuba fealjenny@yahoo.es EDUCATION 2021- Psychology License, Uned, Madrid, Spain 2013-2016 Master Degree in Plastic expression, \u00c9cole Nationale Sup\u00e9rieure des Beaux Arts de Lyon Jury Honors, Lyon, France 2012-2013 Bachelor of arts, \u00c9cole Sup\u00e9rieure d\u2019Art et de Design Marseille- M\u00e9diterran\u00e9e Jury Honors, Marseilles, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-587","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/jennyfeal.fr\/index.php\/wp-json\/wp\/v2\/pages\/587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jennyfeal.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jennyfeal.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jennyfeal.fr\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jennyfeal.fr\/index.php\/wp-json\/wp\/v2\/comments?post=587"}],"version-history":[{"count":93,"href":"https:\/\/jennyfeal.fr\/index.php\/wp-json\/wp\/v2\/pages\/587\/revisions"}],"predecessor-version":[{"id":1797,"href":"https:\/\/jennyfeal.fr\/index.php\/wp-json\/wp\/v2\/pages\/587\/revisions\/1797"}],"wp:attachment":[{"href":"https:\/\/jennyfeal.fr\/index.php\/wp-json\/wp\/v2\/media?parent=587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}