{"id":107,"date":"2017-08-01T16:01:23","date_gmt":"2017-08-01T14:01:23","guid":{"rendered":"http:\/\/jennyfeal.fr\/?page_id=107"},"modified":"2025-06-13T23:56:05","modified_gmt":"2025-06-13T21:56:05","slug":"biographie","status":"publish","type":"page","link":"https:\/\/jennyfeal.fr\/index.php\/biographie\/","title":{"rendered":"Biographie"},"content":{"rendered":"

[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”50px|0|50px|0″ transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”off” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}”][et_pb_row padding_mobile=”off” column_padding_mobile=”on” admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” make_fullwidth=”off” use_custom_width=”off” width_unit=”off” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_style=”solid” global_colors_info=”{}”]<\/p>\n

<\/strong><\/span><\/p>\n

JENNY FEAL<\/strong><\/span>
N\u00e9e en 1991 \u00e0 La Havane, Cuba<\/span>
Vit et travaille entre Les Etats Unis et la France<\/span>
fealjenny@gmail.com<\/span>
jennyfeal.fr<\/a><\/span><\/p>\n

\u00c9TUDES<\/strong><\/span><\/p>\n

2021-2024
<\/strong>Licence en psychologie, Uned, Madrid, Espagne<\/span><\/p>\n

2013-2016<\/strong><\/span>
Dipl\u00f4me National Sup\u00e9rieur d\u2019Expression Plastique, \u00c9cole Nationale Sup\u00e9rieure des Beaux Arts de Lyon, France<\/span><\/p>\n

2012-2013<\/strong><\/span>
Dipl\u00f4me National d\u2019Arts Plastiques, \u00c9cole Sup\u00e9rieure d\u2019Art et de Design Marseille-M\u00e9diterran\u00e9e, France<\/span><\/p>\n

2010-2013<\/strong><\/span>
4ta Pragm\u00e1tica Pedag\u00f3gica, La Havane, Cuba<\/span><\/p>\n

2009-2012<\/strong><\/span>
Licence de la Facultad de Artes Pl\u00e1sticas del Instituto Superior de Arte, La Havane, Cuba<\/span><\/p>\n

2005-2009<\/strong><\/span>
Dipl\u00f4me de l\u2019Acad\u00e9mie Nationale des Beaux Arts San Alejandro, La Havane, Cuba<\/span><\/p>\n

EXPOSITIONS PERSONNELLES<\/strong><\/span>\u00a0<\/p>\n

2023<\/strong>
<\/span>Tengo miedo de un d\u00ed<\/span>a olvidarlo todo<\/em>,<\/span>Galerie by Lastcrit, Barcelone, Espagne<\/span><\/span><\/p>\n

2022<\/strong>
<\/span>Alop\u00e1trico, <\/em>Galerie Dohyang Lee, Paris, France<\/span><\/p>\n

2021<\/strong><\/span>
<\/span> Termites<\/em>, L\u2019Art et la Mati\u00e8re en Dr\u00f4me des Collines Festival 2020, Grand-Serre<\/span>, France<\/span>
<\/span> Rue des enfants<\/i>, projet port\u00e9 par la Ville de Lyon et le MAC Lyon, \u00e9l\u00e8ves de l\u2019\u00e9cole Rebatel, Rue de l’harmonie, Lyon, France<\/span><\/span><\/p>\n

2020<\/strong><\/span>
<\/span>Gravir la montag<\/span>ne<\/em>, Angelinna Gallery Rivoli Building Espace, Brussels, Belgique<\/span><\/span><\/p>\n

2019<\/strong><\/span>
<\/span> Mar oculto<\/em>, Galerie Dohyang Lee, Paris, France<\/span><\/span><\/p>\n

2018<\/strong><\/span>
<\/span> Retour d\u2019une autre Amalia<\/em>, ISBA, Besan\u00e7on, France<\/span>
<\/span> Devant l\u2019eau dormante, le r\u00eaveur adh\u00e8re au repos du monde<\/em>, Maison des expositions, Ateliers M\u00e9dicis,<\/span>Ternand, France<\/span><\/span><\/p>\n

2017<\/strong><\/span>
<\/span> Mamey<\/em>, La Spirale, Toboggan, en r\u00e9sonance avec la 14e Biennale de Lyon, D\u00e9cines, France<\/span><\/span><\/p>\n

<\/span><\/p>\n

EXPOSITIONS COLLECTIVES<\/strong><\/span>\u00a0\u00a0<\/span><\/p>\n

<\/span><\/strong><\/span><\/p>\n

2025<\/span><\/strong><\/span><\/p>\n

10 A\u00d1OS EN CUBA – THE ABILITY TO DREAM<\/span><\/span>,<\/em> Galleria Continua, La Havane, Cuba<\/span><\/span><\/p>\n

<\/span>P\u00e9tits : Women Artists Redefining the Scale, <\/em>Commissaire Claudia Taboada, Pan American Art Projets, Miami,\u00a0<\/span>\u00c9<\/span>tats Unis<\/span><\/span><\/strong><\/span><\/p>\n

<\/span><\/strong><\/span><\/p>\n

2024<\/span><\/strong><\/span><\/p>\n

Kal\u00e9idoscopes – Cuba : regards contemporains<\/em>, Commissaires : Laura Salas Redondo & Niurma P\u00e9rez Zerpas, Galleria Continua, Les Moulins, France<\/span><\/span><\/p>\n

DISTANCE, PROXIMITY & CONNECTION<\/em>, Commissaire Annie Aguettaz & TC McCormack, Writer’s Room, Cloudesley Square, Islington, Londres, UK<\/span><\/strong><\/span><\/p>\n

El vuelo del Quetzal<\/em>, Commissaire Dayneris Brito, Le 6B, Saint-Denis, France<\/span><\/p>\n

<\/span><\/strong><\/span><\/p>\n

2023\u00a0<\/span><\/strong><\/span><\/p>\n

Stylish Politics<\/em>, Pan American Art Projets, Miami,\u00a0<\/span>\u00c9<\/span>tats Unis<\/span><\/p>\n

Drawing from Nature<\/em>, Pinecrest Gardens, Miami,\u00a0<\/span>\u00c9<\/span>tats Unis<\/span><\/span><\/span><\/p>\n

Libros de artistas<\/em><\/span><\/span>, Galerie by Lastcrit, Barcelone, Espagne\u00a0<\/span><\/p>\n

Casa Eminente<\/em>,<\/span>\u00a0Casa Eminente, Paris, France<\/span> <\/span><\/em><\/span><\/p>\n

Encore & En-Corps<\/span><\/span><\/em>, Forum Exposition Bonlieu, Annecy, France\u00a0<\/span><\/span><\/p>\n

Elementos<\/em>, Fondation CHRISTIAN R<\/span>\u00c9AL & Images passages, Annecy, France<\/span><\/p>\n

2022<\/span><\/strong><\/span>\u00a0<\/p>\n

Toxicit<\/span><\/i><\/em>y<\/span>, 7\u00e8me Biennale de Lubumbashi<\/span>, Lubumbashi, R\u00e9publique D\u00e9mocratique du Congo <\/span><\/p>\n

\u00e9co(…..) \u00e9co(…..) \u00e9co (…..)<\/em> volet I, Galerie Dohyang Lee, Paris, France<\/span>\u00a0<\/p>\n

Cyclo<\/em><\/i>, Sala Pirandello, Madrid, Espagne <\/span><\/p>\n

La Maison<\/span><\/i>, Rester.\u00c9tranger & La maison de l\u2019ours, Saint Denis, France<\/span><\/span><\/p>\n

2021<\/strong>
Together<\/em>, Seven seas, Miami art week, Miami, \u00c9tats Unis <\/span><\/p>\n

2020<\/span><\/strong><\/span>
Place to be<\/em>, Fondation d’entreprise Martell, Cognac, France <\/span>
madeleine<\/i>, Galerie Dohyang Lee, Paris, France<\/span>
Or, Encens & Myrrhe<\/i><\/span>, Galerie Dohyang Lee, Paris, France<\/span>
Ellipses,<\/span><\/em> Histoires de passages<\/em>, Arteppes – Centre d\u2019art contemporain, Imagespassages, Annecy, France<\/span><\/span>
LA.POSSIBILITE D’UNE ILE<\/em>, Le haras, Imagespassages, Annecy, France<\/span>
Hyper<\/em>, Galerie 57, Lyon, France<\/span>
Parody of Life<\/em>, @studio.exhibition.studio, Ecole d\u2019Art et Design de Saint-Etienne, France<\/span><\/p>\n

2019<\/strong><\/span>
L\u00e0 o\u00f9 les eaux se melent<\/em>, 15e Biennale de Lyon, Mus\u00e9e d’art contemporain, Lyon, France<\/span>
Movimiento de <\/em>(por<\/em>) s\u00ed mismo<\/em>, Teatro Mella, Exsitu, XIII Biennale de La Havane, La Havane, Cuba<\/span>
Back from LH<\/em>, Arteppes – Centre d\u2019art contemporain, Imagespassages, Annecy, France<\/span>
DE.PAYSER<\/em>, programmation vid\u00e9o r\u00e9alis\u00e9e et pr\u00e9sent\u00e9e par imagespassages, Mus\u00e9e d’art contemporain, Lyon, France<\/span>
La Pr\u00f3xima Resistencia<\/em>, 8e Festival International de Video Art de Camaguey (FIVAC), Camag\u00fcey, Cuba<\/span>
R\u00edos intermitentes<\/em>, XIII Biennale de La Havane, Imagespassages, Matanzas, Cuba<\/span>
Agua de beber<\/em>, une invitation de Persona Curada, Espace LeXi, Paris, France
<\/span><\/p>\n

2018<\/strong><\/span>
TU NA WINA<\/em>, Galerie Hangar, Lubumbashi, R\u00e9publique D\u00e9mocratique du Congo<\/span>
REMNANTS<\/em>, Green Art Gallery, Dubai, \u00c9mirats Arabes Unis<\/span>
Rendez-vous<\/em>, Centro de arte contempor\u00e1neo Wifredo Lam (Rendez-vous Biennale de Lyon 2017), La Havane, Cuba<\/span>
Le temps des pommes<\/em>, \u00c9T\u00c9 78, Bruxelles, Belgique<\/span>
Par tout mais pas pour tr\u00e8s long temps<\/em>, Convoi exceptionnel, ELAC (Espace Lyonnais d\u2019art contemporain), Lyon, France<\/span>
DARK MATTERS<\/em>, Galerie C\u00e9line Moine, Lyon, France<\/span>
Le poids des mots<\/em>, Extra & In medias res, Galerie C\u00e9line Moine, Lyon, France <\/span>
Sur la page, abandonn\u00e9s \u2013 exposition d\u2019artistes \u00e9crivains<\/em>, Galerie AU LIEU \u00c9ditions Extensibles, Paris, France<\/span><\/p>\n

2017<\/strong><\/span>
On \/ Off<\/em>, Maison Europ\u00e9enne de la Photographie & Cit\u00e9 Internationale des Arts, Paris, France<\/span>
L\u2019inconfort moderne<\/em>, La FabriC \u2013 Fondation Art Contemporain Claudine et Jean-Marc Salomon, en R\u00e9sonance avec la 14e Biennale de Lyon, Annecy, France<\/span>
On \/ Off Muestra de Video<\/em>, Casa Victor Hugo, La Havane, Cuba<\/span>
Les Enfants de Sabbat 18<\/em>, Centre d\u2019art contemporain Le Creux de l\u2019enfer, Thiers, France<\/span>
\u00c9l\u00e9ments<\/em>, M\u00e9diath\u00e8que Les Mots Passants, Saint Vit, France<\/span>
Double trouble<\/em>, Maison du livre, de l\u2019image et du son, Villeurbanne, France<\/span>
Back to the trees N\u00b0 6<\/em>, bord de Loue, Chamblay, France<\/span><\/p>\n

2016<\/strong><\/span>
Prix de la Fondation Renaud<\/em>, ENSBA Lyon, France<\/span>
Prix Paris<\/em>, ENSBA Lyon, France<\/span><\/p>\n

2015<\/strong><\/span>
L\u2019Analfabeto<\/em>, Citerne de la Villa M\u00e9dicis, Acad\u00e9mie de France \u00e0 Rome, Rome, Italie<\/span>
Lejos del teclado<\/em>, projet \u00bfCu\u00e1ntos Mundos?,<\/em> Casa Mar\u00eda, pr\u00e9sentation \u00e0 La F\u00e1brica de Arte Cubano,
XII Biennale de La Havane, Cuba<\/span><\/p>\n

2014<\/strong><\/span>
Night of the tumblr on fire<\/em>, Niveau 1- Le point Perch\u00e9, Palais de Tokyo, Paris, France<\/span>
Le printemps des Laboratoires d\u2019Aubervilliers<\/em>, Laboratoires d\u2019Aubervilliers, Aubervilliers, France<\/span>
Les Appart\u00e9s<\/em>, Galerie Domi Nostrae, Lyon, France<\/span><\/p>\n

2013<\/strong><\/span>
5\u00e8me Festival des Arts \u00c9ph\u00e9m\u00e8res<\/em>, Maison Blanche, Marseille, France<\/span>
Evident r\u00e9sidents 2<\/em>, Galerie MAD, Marseille, France<\/span><\/p>\n

2012<\/strong><\/span>
4ta Pragm\u00e1tica Pedag\u00f3gica<\/em>, Triennale de Tbilissi, 4ta Pragm\u00e1tica Pedag\u00f3gica, G\u00e9orgie<\/span>
Ciudad Generosa,<\/em> Onzi\u00e8me Biennale de La Havane, 4ta Pragm\u00e1tica Pedag\u00f3gica, La Havane, Cuba<\/span><\/p>\n

2011<\/strong><\/span>
Muestra 4ta Pragm\u00e1tica Pedag\u00f3gica<\/em>, Fondation Havana Club, 4ta Pragm\u00e1tica Pedag\u00f3gica, La Havane, Cuba<\/span>
Recuento<\/em>, Mus\u00e9e de l\u2019Orf\u00e9vrerie, La Havane, Cuba<\/span>
TRUST<\/em>, Galer\u00eda Factor\u00eda Habana, 4ta Pragm\u00e1tica Pedag\u00f3gica, La Havane, Cuba<\/span>
Andr\u00f3gino<\/em>, Galer\u00eda Factor\u00eda Habana, 4ta Pragm\u00e1tica Pedag\u00f3gica, La Havane, Cuba<\/span>
Banca Rota<\/em>, Royal Bank of Canad\u00e1, 4ta Pragm\u00e1tica Pedag\u00f3gica, La Havane, Cuba<\/span><\/p>\n

2010<\/strong><\/span>
Classpool<\/em>, Maison priv\u00e9e, 4ta Pragm\u00e1tica Pedag\u00f3gica, La Havane, Cuba<\/span>
X Biennale Internationale de C\u00e9ramique<\/em>, Salon Blanc, Monast\u00e8re de San Francisco de As\u00eds, La Havane, Cuba<\/span>
A r\u00edo revuelto<\/em>, Coupoles, Instituto Superior de Arte, La Havane, Cuba<\/span><\/p>\n

2009<\/strong><\/span>
La locura de Hefesto<\/em>, Mus\u00e9e de l\u2019Orf\u00e9vrerie, La Havane, Cuba<\/span><\/p>\n

2008<\/strong><\/span>
Tambi\u00e9n<\/em>, Maison Priv\u00e9e, La Havane, Cuba<\/span>
Con Excusa de\u2026<\/em>, Mus\u00e9e de l\u2019Orf\u00e9vrerie, La Havane, Cuba<\/span><\/p>\n

PRIX<\/strong><\/span><\/p>\n

2021
<\/strong>Finaliste du Prix SAM d’art contemporain, Paris, France<\/span><\/p>\n

2016<\/strong><\/span>
Prix de la Fondation Renaud, ENSBA Lyon, France<\/span>
Prix Paris, mention du jury, ENSBA Lyon, France<\/span><\/p>\n

2010<\/strong><\/span>
X Biennale Internationale de C\u00e9ramique de La Havane, mention du jury, La Havane, Cuba<\/span><\/p>\n

R\u00c9SIDENCES DE CR\u00c9ATION PLASTIQUE<\/strong><\/span><\/p>\n

2023 <\/strong><\/span><\/strong><\/span><\/p>\n

Fountainheadarts, Miami, Etats Unis<\/span><\/p>\n

2021<\/strong><\/span>\u00a0<\/strong><\/strong><\/span><\/p>\n

Villa Glovettes, Villard-De-Lans, Rh\u00f4ne-Alpes, France
<\/span><\/p>\n

Les Ateliers du Grand Large \/ ADERA, Lyon Part Dieu, France<\/span><\/span><\/p>\n

2020
<\/strong><\/span>Fondation d’entreprise Martell, Cognac, France<\/span><\/p>\n

Les Ateliers du Grand Large \/ ADERA, D\u00e9cines, France
Summer Camps, cONncErn , Cosne d’Allier, France
<\/span><\/p>\n

2019
<\/strong>Les Ateliers du Grand Large \/ ADERA, D\u00e9cines, France<\/span><\/p>\n

2018<\/strong><\/span>
ISBA, Besan\u00e7on, France<\/span>
Calle C, ARTICHOK, Centre d\u2019art et de recherche Picha, Lubumbashi, R\u00e9publique D\u00e9mocratique du Congo<\/span>
Cr\u00e9ation en cours, Ateliers M\u00e9dicis, Ternand, France<\/span>
Les Ateliers du Grand Large \/ ADERA, D\u00e9cines, France<\/span><\/p>\n

2017<\/strong><\/span>
ISBA, Besan\u00e7on, France<\/span>
SabbaTThiers, Usine du May, Thiers, France<\/span>
Les Ateliers du Grand Large \/ ADERA, D\u00e9cines, France<\/span><\/p>\n

2016<\/strong><\/span>
Les Ateliers du Grand Large \/ ADERA, D\u00e9cines, France<\/span><\/p>\n

BOURSES \/ AIDES \u00c0 LA CR\u00c9ATION<\/strong><\/span><\/p>\n

2019
<\/strong>Soutien aux galeries du CNAP pour l’exposition personnelle “Mar oculto”, Galerie Dohyang Lee, Paris, France
2018
<\/strong>Ateliers M\u00e9dicis, minist\u00e8re de la Culture et en coop\u00e9ration avec le minist\u00e8re de l’\u00c9ducation nationale, de la Jeunesse et des Sports, France
2015
<\/strong>R\u00e9gion Rh\u00f4ne-Alpes, pour le projet “L’Analfabeto”, Galleria Cisterna de la Villa M\u00e9dici, Acad\u00e9mie de France \u00e0 Rome, Rome, Italie
2015
<\/strong>Programme Entr’Ecoles de l’Institut Fran\u00e7ais et du Minist\u00e8re de la Culture et de la Communication, pour le projet “Lejos del teclado”, France<\/span>
<\/strong><\/p>\n

ATELIERS DONNES<\/strong> <\/span><\/p>\n

2021<\/strong>
Rue des enfants<\/i>, invitation de la Ville de Lyon et le Mus\u00e9e d’art contemporain de Lyon. Ateliers con\u00e7us pour les \u00e9l\u00e8ves en CM2 de l\u2019\u00e9cole Rebatel, Rue de l’Harmonie, Lyon, France<\/span><\/p>\n

2019<\/strong>
<\/i>Elles<\/em>, invitation du Mus\u00e9e d’art contemporain de Lyon. Ateliers con\u00e7us pour les femmes de l\u2019association PasserElles buissonni\u00e8res. Les ateliers ont eu lieu au Mac de Lyon et \u00e0 L’URDLA – centre international estampe & livre \u00e0 Villeurbanne, France<\/span><\/span><\/p>\n

2018<\/strong>
<\/i>Devant l\u2019eau dormante, le r\u00eaveur adh\u00e8re au repos du monde<\/em>, invitation des Ateliers Medicis, le Minist\u00e8re de la Culture et le Minist\u00e8re de l’\u00e9ducation fran\u00e7ais. Les ateliers ont eu lieu \u00e0 Ecole primaire de Ternand, France<\/span><\/p>\n

CONFERENCE \/ RENCONTRE \/ PODCAST
<\/strong><\/span><\/p>\n

2021
<\/strong>Rencontre \/ Conf\u00e9rence sur la r\u00e9sidence “Villa Glovettes” avec Agathe Chion, H\u00e9l\u00e8ne Fourni\u00e9, C\u00e9lia Vaudaine et Adrianna Wallis, Jenny Feal, M\u00e9ryl Fortunat Rossi, Thomas L\u00e9vy-Lasne, Xavier Machault, Mathilde Segonds et Fr\u00e9d\u00e9rique Vivet, Mus\u00e9e de Valence art et arch\u00e9ologie, France<\/span>
L\u00ednea de fuego, invit\u00e9e par Elena V. Molina et Gerardo Mu\u00f1oz, Columna Cultural, Barcelona, Pelsilvanie, Lyon<\/span> <\/span><\/p>\n

2020<\/strong><\/span>
Myday I, Comment l’art associ\u00e9 \u00e0 la performance individuelle et collective peut \u00eatre g\u00e9n\u00e9rateur d’innovation, de vitalit\u00e9 et de renouvellement pour tous? Manifesta Lyon, Lyon 1er Franc<\/span>e
Myday II, Singinginyourbrain & Artforme, Lyon 4\u00e8me, France<\/span>
Dessin Dessein, Podcast pour discuter du design<\/a>, avec Laure Choquer, juillet
<\/span><\/p>\n

2019<\/span><\/strong>
L<\/span>\u2019<\/span>art<\/span> e<\/span>t<\/span> la<\/span> cultur<\/span>e<\/span>, leviers de performance des entreprises?, Anciennes Usines Fagor-Brandt, Grand Lyon La m\u00e9tropole, France
Comment repr\u00e9sente-t-on l’hypermodernit\u00e9? Manufacture des Tabacs, Universit\u00e9 Lyon 3, France
African art in Venice Forum, http:\/\/www.aavforum.com\/speakers\/<\/a>, Hotel Monaco & Grand Canal Venice, Italie
Rencontre avec Karim Kal & Jenny Feal, Librairie Michel Descours, Lyon, France
<\/em><\/strong>Jenny Feal et Matthieu Leli\u00e8vre Talk, Tokyo Art Club, Palais de Tokyo, Paris, France
<\/em><\/strong><\/span><\/p>\n

CATALOGUE \/ PUBLICATIONS<\/strong><\/span><\/p>\n

2024
<\/strong>Book of the year, Fountainhead, Miami, USA<\/span><\/p>\n

2022
<\/strong>Rendezvous<\/em>, livre d’artiste d’El\u00e9onore Pano-Zavaroni, \u00c9change \u00e9pistolaire, \u00c9ditions AAA, France<\/span><\/p>\n

2021<\/strong><\/span>
Catalogue Carnet Place to be, Collection Storytelling, Fondation Martell, France<\/span>
<\/strong><\/span>Hypermedia magazine, Localizacion de Jenny Feal en la di\u00e1spora cubana, La Havane, Cuba<\/span><\/span>
La boite noire, Deuxi\u00e8me vol. Au ras des com\u00e8tes, cOncErn Infrasestructure artistique, 03430 Cosne-d’Allier, France
<\/span><\/span><\/p>\n

2020<\/strong><\/span>
Catalogue d’exposition Hyper, Effets de Temps, Universit\u00e9 Jean Moulin Lyon III<\/span><\/p>\n

2019<\/strong><\/span>
La experiencia de DUPP, editorial ArteCubano, impression Selvi Artes Gr\u00e1ficas
<\/strong>Cr\u00e9ation en cours, Ateliers M\u00e9dicis, 2\u00e8me \u00c9dition 2017-2018<\/span>
Catalogue 15e Biennale de Lyon<\/span>
Catalogue d’exposition R\u00edos intermitentes, Imagespassages<\/span>
Catalogue Colaterales XIII Bienal de La Habana<\/span><\/p>\n

2018
<\/strong>Catalogue de l\u2019exposition Rendez-vous La Havane, \u00c9dition Rendez-vous<\/span>
Catalogue Arts \u00c9ph\u00e9m\u00e8res, Association Arts \u00c9ph\u00e9m\u00e8res<\/span>
Catalogue de l\u2019exposition Par tout mais pas pour tr\u00e8s long temps, \u00c9dition Convoi exceptionnel<\/span><\/p>\n

2017<\/strong><\/span>
Catalogue de l\u2019exposition Inconfort moderne, Imagespassages arts visuels et num\u00e9riques contemporains & Fondation Salomon art contemporain<\/span>
Catalogue du Festival On \/ Off, Maison Europ\u00e9enne de la Photographie<\/span>
Catalogue de l\u2019exposition Les Enfants du sabbat N\u00b018, Centre d\u2019art contemporain Le Creux de l\u2019enfer<\/span>
Sur la page, abandonn\u00e9s vol.2, Les \u00c9ditions Extensibles<\/span><\/p>\n

2015<\/strong><\/span>
Revue Initiales, N\u00b0 07, Pier Paolo Pasolini<\/span><\/p>\n

2012<\/strong><\/span>
Magazine Beaux Arts, N\u00b0337<\/span>
Peri\u00f3dico Ciudad Generosa, N\u00b0 1, \u00c9dition Cuarta Pragm\u00e1tica Pedag\u00f3gica<\/span><\/p>\n

2011<\/strong><\/span>
Cat\u00e1logo de exposici\u00f3n Trust, \u00c9dition Cuarta Pragm\u00e1tica Pedag\u00f3gica<\/span><\/p>\n

2010<\/strong><\/span>
Revista Artecubano, N\u00b0 2, X Bienal de Cer\u00e1mica \/ X Ceramics Biennial<\/span><\/p>\n

COLLECTION PUBLIQUE<\/span><\/strong><\/p>\n

Collection Cara\u00efbes- Amazonie pour les Micro-folies, Mus\u00e9e num\u00e9rique, Guadeloupe, France<\/span><\/p>\n

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JENNY FEAL N\u00e9e en 1991 \u00e0 La Havane, Cuba Vit et travaille entre Les Etats Unis et la France fealjenny@gmail.com jennyfeal.fr \u00c9TUDES 2021-2024Licence en psychologie, Uned, Madrid, Espagne 2013-2016 Dipl\u00f4me National Sup\u00e9rieur d\u2019Expression Plastique, \u00c9cole Nationale Sup\u00e9rieure des Beaux Arts de Lyon, France 2012-2013 Dipl\u00f4me National d\u2019Arts Plastiques, \u00c9cole Sup\u00e9rieure d\u2019Art et de Design Marseille-M\u00e9diterran\u00e9e, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-107","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/jennyfeal.fr\/index.php\/wp-json\/wp\/v2\/pages\/107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jennyfeal.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jennyfeal.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jennyfeal.fr\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jennyfeal.fr\/index.php\/wp-json\/wp\/v2\/comments?post=107"}],"version-history":[{"count":137,"href":"https:\/\/jennyfeal.fr\/index.php\/wp-json\/wp\/v2\/pages\/107\/revisions"}],"predecessor-version":[{"id":1869,"href":"https:\/\/jennyfeal.fr\/index.php\/wp-json\/wp\/v2\/pages\/107\/revisions\/1869"}],"wp:attachment":[{"href":"https:\/\/jennyfeal.fr\/index.php\/wp-json\/wp\/v2\/media?parent=107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}